A twisted tale of jazz, noir, and Henry Silva.
The most important event of the crime fiction calendar is fast approaching!!
WHAT: NOIR CON 2014 – a biennial tribute to all things noir from literature to film to art and poetry, will take place from October 30 thru November 2, 2014.
WHERE: Society Hill Playhouse, 507 South 8TH Street, Philadelphia, PA. 19147
WHEN: October 29 – November 2, 2014
The program includes panels on Friday, Saturday and Sunday, parties, movie showings, an awards banquet on the banks of the Delaware, Thursday evening at MOCA, the Philadelphia Mausoleum of Contemporary Art, and a Sunday visit to Philadelphia’s Port Richmond Books. Farley Books of New Hope will be on site at the Playhouse throughout the weekend , the official book seller for NOIRCON.
Among the featured guests are: Fuminori Nakamura of Tokyo, Japan, who will receive the David Goodis Award for excellence in writing. Nakamura has won many prizes for his novels including Japan’s most prestigious literary award, the Akutagawa Prize . Three of his books have been translated into English, The Thief and Evil and the Mask, both published by Soho Press. Last Winter, We Parted will be published in time for NoirCon 2014. Tom Nolan, of the Wall Street Journal will do a one on one interview with this outstanding young writer on Saturday.
Bronwen Hruska, Soho Press, is being recognized as an outstanding publisher in the crime fiction with the Jay and Deen Kogan award, last given to Otto Penzler of Mysterious Books. She has led the way in translation publishing and opened many doors for women in the field.
Eddie Muller, called the Czar of Noir, will accept the Anne Friedberg Award for contribution to Noir Education and Preservation, as well as introduce a special showing of the film, The Prowler, (written by Dalton Trumbo and first released in 1951) at 1PM Thursday, October 30 at The International House A novelist from San Francisco, many of his books relate to and examine Film Noir.
Howard A. Rodman will present the Anne Friedberg Award to Eddie Muller as well as presentation on French author Jean-Patrick Manchette.
Scheduled panels include: The Black Dahlia, Jewish Noir, Existential Noir, The Politics of Noir, A Ross MacDonald Examination, Veering Off the Highway: How Springsteen’s Music Shapes Crime Fiction and Three Minutes of Terror, when every attending writer gets three minutes to share his work or ideas. Among the program participants are: Joseph Samuel Starnes, William Lashner, Joan Schenkar, Stuart Neville, Jean Cash, Jonathan Woods, Robert Polito, Vicki Hendricks, Steve Hodel, Carole Mallory, Sigrid Sarda, Buffy Hastings, Jeff Wong, Duane Swierczynski, Tom Nolan, Alan Gordon, Megan Abbott and keynote speaker, Eric Miles Williamson.
Dr. Louis Boxer and Deen Kogan, director of Society Hill Playhouse, co-chair NOIRCON 2014. For further information call 215-923-0210 or check the website: www.noircon.com
Lt. Dorn, a NY State corrections officer working at Mount McGregor prison in Wilton, NY, threatened to arrest a local news team reporting about a nearby historic site and called in the state police to confiscate the news team’s video.
The story quickly turned from being about the story the news crew was working on–the effect the imminent closing of the prison would have on the nearby Grant Cottage, a historic site open to the public–to being about Lt. Dorn and his efforts to hide the fact that a private entertainment company was filming a movie on prison property.
Among the informational nuggets Lt. Dorn gives the News Channel 13 reporter, Mark Mulholland, is that he can confiscate any film shot by tourists at the Grant site if the prison appears anywhere in the background. However, anyone can shoot a prison flick on the actual grounds of the prison if they pay the state permit fees. And as a bonus they will threaten pesky paparazzi with arrest.
Making it more difficult to square Lt. Dorn’s purported authority to confiscate images wherein the prison appears, is the easy to verify fact that there are many images of the prison available online, including this one from Google maps:
And if you want a hi-res image of the prison from the area where the NewsChannel 13 was shooting, anyone can buy this shot by photojournalist John Carl D’Annibale of the Times Union:
And any assertion that the prison guard made about confiscating film shot at Grant Cottage, if it contains images of the prison, is belied by this CBS news report shot at Grant Cottage that has several clips of the prison. This was no hidden camera project. It was shot in the open and celebrated on the Grant Cottage website
In a statement defending the State’s threats and efforts to confiscate NewsChannel 13’s video, and the humorously juvenile attempt to block the crew’s return to Grant’s Cottage, the corrections department cited security issues but did not explain what risk the news crew posed in filming, from an offsite access road, a prison that was EMPTY and due to close in a matter of days, and did not mention, not even in passing, the film crew shooting a movie in the actual prison itself.
We regret that this situation escalated, however the WNYT news crew blatantly disregarded a state officer who informed them they were trespassing. Department regulations state that photographs taken while on Prison property require prior permission. This policy is for the safety of all staff, visitors and prisoners. [Emphasis added.]
It’s worth noting that the statement’s characterization (in italics) of how the news crew behaved when told they were trespassing is contradicted by the video. The crew was exceedingly polite and at all times professional. It’s a stunningly inaccurate statement.
This is a very real turn into Noir 101, where a news crew comes to learn that its First Amendments right to report the news gets trumped by a man in uniform armed with nothing but a loud bark, and the State tells a troubling lie about it.
More importantly, from our focus on all things noir, is that the right of a movie crew creating a work of fiction has trumped the right of a news crew reporting facts.